相比上衣季而言更加直白但是也更加大胆了。

感觉还是收敛了很多黑暗氛围，这部的运镜和剪辑最有魔法感，仿佛可以随意控制时间和空间的流动。能把一大群英国戏骨吸引到一部戏里，这种事估计也是后无来者了。连跑龙套的极富魅力。- For in dreams, we enter a world that is entirely our own. Let him swim in the deepest ocean or glide over the highest cloud. - But know this; the ones that love us never really leave us. And you can always find them in here. - A child's voice, however honest and true, is meaningless to those who've forgotten how to listen. - happiness can be found even in the darkest of times, when one only remembers to turn on the light.

索德伯格的《传染病》有太多这部电影的影子了。电影前面铺垫累赘，中间略精彩，后半段太乱，整体不是太有吸引力，但是达斯汀·霍夫曼、摩根·弗里曼和唐纳德·萨瑟兰同台飙戏还是很精彩。

历史大潮中一个女人的漂泊一生，民族苦难具象到家庭乃至个体。缓缓摇移的镜头，一次次悲悯厚重的凝视；纯白床单间逐个闪现的乐手、一片阴冷中色彩浓烈的舞会、未织完的毛衣牵出细长不绝的红线，似真似幻的场景既承载喻义，又是悲苦中必要而珍贵的浪漫寄托。静殇之水、挂树之羊，第一次安哲，看到心折。

爱情片已经完全免疫了……女主在森林里试总觉得是故意的……