“No one was saved/All the lonely people/Where do they all come from/…Where do they all belong”(Eleanor Rigby, Beatles) 依然是根本不敢说懂，但会心的部分立即取走我大半条命。并无强烈的回去的念头，但这样真挚强烈的pilgrim贯过我层层防御击穿心脏。好在击溃我好几轮之后轻轻落回宗教，我得以从巨震中稍稍平复呼吸。太喜欢这样尊重着欣赏着人类情感的自然起落，并不manipulate情节和时间的做法了。1+1=1，完全不爱森斯坦。(and the resemblance between Domiziana and Siddal shocked me...Eleanor again!)

我的笑点好像越来越奇怪了。

I tried to focus on the scenes, but the plots just become more and mpre unbearable. Thought the first half was terrible, then watched the second half, how can it be even worse? If these plots were created by someone who received higher education, I'm afraid to say that education failed heavily.

“你戴着个头罩走一天，就会发现人人都是歧视者”。第四季对于伊斯兰教等社会问题以学生的视角进行探讨，既有社会矛盾的尖锐，又用未成年人的身份进行缓和

感动到不知怎么说了，有个可以为孩子（无论男女）与全世界拼命的父亲真好。